Select writing:

• Socialized Streaming: A case for universal music access, Real Life
• With gigs canceled and no relief, musicians form a nationwide union, In These Times
• #Wrapped and Sold: On Spotify’s year-end campaign, The Baffler
• Podcast Overlords: Spotify only works for the stars, The Baffler
• Invisible costs: Digital music takes an unprecedented environmental toll, No Depression
  
• Sofar, So Bad: A global startup aims to exploit underground music, The Baffler
• Big Mood Machine: Spotify pursues emotional surveillance for global profit, The Baffler
• The Antisocial Network: How Facebook hurts music communities, Logic Magazine
• In the Era of Teen$ploitation: on Teen Boss magazine, The Baffler
  
• Streambait Pop: The emergence of a total Spotify genre, The Baffler
• Unfree Agents: Spotify's Uber-like model for independent artists, The Baffler
• Discover Weakly: Sexism on Spotify, The Baffler
• Cut the Music: Inside M.A.R.C.H.—the NYPD's secret, venue-closing task force, The Baffler
• The Problem with Muzak: Spotify's bid to remodel an industry, The Baffler
• Streaming cooperative Resonate restores agency to artists, Shadowproof
  
• Saga believes artists should have more control, Shadowproof
  
• CASH Music helps artists navigate industry rife with corporate exploitation, Shadowproof
• The Secret Lives of Playlists: Major label influence on Spotify, Watt
• Musical Instrument Lending Libraries Make Playing Music More Accessible, She Shreds
  
• Nine Albums Later, Tegan and Sara Are Finally Ready to Discuss High School, The New York Times
  
• How Allison and Katie Crutchfield‘s P.S. Eliot Came To Be, Pitchfork
  
• Camp Cope Aren't the Openers Anymore, The Village Voice
  
• Amirtha Kidambi's Elder Ones profile, Bandcamp Daily
  
• Turning the Tables essay on Joanna Newsom, NPR
  
• Irreversible Entanglements on making revolutionary music, Shadowproof
  
• Review of Robyn's Honey, Frieze